Pithouse-then-pueblo farmers of the mountainous New Mexico–Arizona borderlands, whose Mimbres branch produced the most celebrated painted pottery of the ancient Southwest — black-on-white bowls alive with fish, rabbits, insects and masked figures, ritually 'killed' and laid over the dead.
The Classic Mimbres villages were abandoned around 1130–1150 as populations dispersed; later Mogollon merged into the regional Pueblo and Salado worlds and faded before contact.
The atlas holds 3 border frames for Mogollon (Mimbres) — the shape you scrub through changes in 200 · 1001 · 1131.
The standard work on the celebrated Mimbres black-on-white bowls of the Mogollon.
A University of Arizona Press study of Mimbres society centered on the Mattocks site, by the same lead scholar as the original volume.